Media Logos

REACHING THE SUMMIT – ONE STEP AT A TIME

When I was writing and researching for my books, it would be as if I was retreating somewhere quiet and still inside myself.  Sometimes it would take me an hour or two to get out of my shell and take part in the daily hustle -bustle of Los Angeles life.

Now that we are 6 weeks away from the WOMEN A.R.E. Summit, I see that my days are diametrically different than what I was accustomed to while writing. To get over 25 leading women to come and speak at the conference was no easy feat. I can’t tell you how many letters I drafted, how many calls I made, and how much time was spent in meetings with others.  But the flip side is that I feel ever more connected to my community and the one day summit itself.

One summer afternoon two years ago, I was lounging in the garden and watching the sun fade away. Suddenly in the quietness of the afternoon, an idea occurred to me—what if I can bring the very women I research on to a forum where they can themselves share their story.  The seeds of organizing a summit were planted that afternoon.

In hindsight, the one day Summit, showcasing such trailblazers as Marianne Williamson, Dr. Andrea Ghez, Alison Pincus, Cathie Opie, and Ann Philbin to name a few, feels like a natural extension to the books I have been writing.

We are six weeks away, and I am filled with excitement and anticipation for the big day. My partner, Beth, and I are keeping a tight schedule these days and are planning all the details of the day but at the same time, we know that organizing a summit is like organizing a dance—you create the space and structure, the people show up, and the rest is about the energy in the room and the spontaneous exchanges between people!

I will update you all with photos and breaking news!

Ann Philbin Re-Envisions Los Angeles’ Vibrant Art Scene

What does it take to turn a sleepy museum in Westwood Village into the talk of the town? The answer is – “a new visionary”. In 1999, that visionary woman was Ann Philbin. She left her ten-year position as the director of New York’s Drawing Center to come to Los Angeles with a passion and purpose to reveal one of the city’s greatest hidden gems.

Philbin was eager to transform the museum’s image and attract a new generation of art lovers and did so by developing programming to accommodate the interests of the urban art scene. She founded the museum’s Hammer Contemporary Collection as well as the Hammer Projects Series, which focuses on emerging artists.

During one of my conversations with her, Philbin beamed with pride as she talked about Los Angeles’s vibrant artistic community. Many people may not know this, but Los Angles has become the mecca for emerging artists, more so than New York or Berlin. Capitalizing on the strength of Los Angeles’s artistic community, she envisioned a bold and ambitious enterprise.

Last year The Hammer Museum joined forces with nonprofit gallery LAX ART and the Department of Cultural Affairs to hold the first ever Los Angeles Biennial called Made in LA. Unlike the well-known Whitney Biennial, Made in LA had a regional focus: about 60 artists, some marquee and many emerging or lesser-known artists, were participating in this enterprise.

Made in LA was an overwhelming success: local artists had a prestigious platform to showcase their work, and the community was abuzz with the influx of the new artistic energy put on display.

Today the Hammer features contemporary artists, holds short film festivals, readings, lectures and debates six days a week. It’s safe to say Ann Philbin’s vision for turning the space into a cultural hub and gathering place for artists, students, and enthusiasts has been realized.

We look forward to having her participate on “Women in the Arts” Panel in our summit on November 7th.